Top 3 Blackmagic Pocket Cinema Camera 6K Pro Alternatives In 2024

Top 3 Blackmagic Pocket Cinema Camera 6K Pro Alternatives In 2023

Drawing from my own hands-on experience with various cameras, I can attest that the Blackmagic Pocket Cinema Camera 6K Pro has created quite a buzz among filmmakers, largely due to its outstanding capabilities. Yet, I’ve learned that no single cinema camera is a one-size-fits-all solution. From my time spent exploring and testing various models, I’ve come across several cinema cameras that can go toe-to-toe with the Blackmagic Pocket Cinema Camera 6K Pro, or even surpass it in certain aspects. In this article, we will explore the top 3 Blackmagic Pocket Cinema Camera 6K Pro alternatives that are worth considering for anyone looking for a high-quality cinema camera that can deliver excellent results for their filmmaking needs.

1. Sony FX3

Sony FX3 as a good alternative for Blackmagic Pocket Cinema Camera 6K Pro

Sensor: Full frame or APS-C

The Sony FX3 has a 12.1MP full-frame CMOS Exmor R sensor, while the Blackmagic Pocket Cinema Camera 6K Pro has a 10.2MP Super 35 high resolution HDR sensor. The full-frame sensor of the Sony FX3 gives you a wider field of view, shallower depth of field, and better low-light performance than the APS-C sensor of the Blackmagic Pocket Cinema Camera 6K Pro. The Sony FX3 also has an optical low-pass filter (OLPF) to reduce moiré and aliasing, while the Blackmagic Pocket Cinema Camera 6K Pro does not.

Focus and Lens Mount

The Sony FX3 has an active EF mount that supports autofocus and lens control with compatible lenses. The Blackmagic Pocket Cinema Camera 6K Pro also has an active EF mount, but it does not support autofocus. Autofocus can be very useful for fast-moving subjects or when shooting solo. The Sony FX3 also has face tracking and eye AF features that can help you achieve accurate and reliable focus on your subjects.

Design: Dimension and Weight Comparison

The Sony FX3 is smaller and lighter than the Blackmagic Pocket Cinema Camera 6K Pro. The Sony FX3 measures 129.7 x 77.8 x 84.5 mm and weighs 715 g (body only). The Blackmagic Pocket Cinema Camera 6K Pro measures 180 x 101 x 96 mm and weighs 1.1 kg (body only). The Sony FX3 also has a more ergonomic design, with a comfortable handgrip, a scroll wheel, and multiple customizable buttons. The Blackmagic Pocket Cinema Camera 6K Pro has a more boxy shape, with fewer buttons and no scroll wheel.

Monitor

The Sony FX3 and the Blackmagic Pocket Cinema Camera 6K Pro have different types and sizes of monitors. The Sony FX3 has a 3-inch tilting touchscreen LCD with 1.44 million dots of resolution. It can be flipped out and rotated to various angles, making it convenient for vlogging, selfie, or low-angle shots. It also has a high brightness of 1500 nits, making it visible in bright sunlight. The Blackmagic Pocket Cinema Camera 6K Pro has a 5-inch tilting touchscreen LCD with 2.76 million dots of resolution. It can only be tilted up and down, limiting its usability for some shots. It also has a high brightness of 1500 nits, making it visible in bright sunlight.

Battery

The Sony FX3 uses an NP-F570 L-series battery that can provide up to 140 minutes of continuous recording time. The Blackmagic Pocket Cinema Camera 6K Pro uses a Canon LP-E6NH battery that can provide up to 60 minutes of continuous recording time. The Sony FX3 also has a USB-C port that can be used to power the camera or charge the battery from an external source. The Blackmagic Pocket Cinema Camera 6K Pro also has a USB-C port, but it can only be used for data transfer and external recording.

Video Capabilities & Audio Inputs

Both cameras can record 6K video up to 50 fps. However, the Sony FX3 can also record 4K video up to 120 fps and 1080p video up to 240 fps in XAVC S-I format, which is a high-bitrate intra-frame codec that preserves more details and colors. The Blackmagic Pocket Cinema Camera 6K Pro can only record 4K video up to 60 fps and 1080p video up to 120 fps in ProRes format, which is a lower-bitrate inter-frame codec that compresses more information. The Sony FX3 also has a cinematic color science with S-Cinetone, which is inspired by the VENICE colorimetry and delivers natural skin tones and rich colors. The Blackmagic Pocket Cinema Camera 6K Pro has a Gen 5 color science, which is also designed to produce cinematic images, but it might require more grading to achieve the desired look.

Both cameras have dual mini-XLR inputs that can support phantom power and line level signals for professional audio recording. However, the Sony FX3 also has a 3.5mm stereo input that can be used for timecode input, while the Blackmagic Pocket Cinema Camera 6K Pro does not have a timecode input option. Timecode input can be useful for synchronizing multiple cameras or audio devices in post-production.

Price (USD)

The Sony FX3 costs $3,899.99, while the Blackmagic Pocket Cinema Camera 6K Pro costs $2,535. The Sony FX3 is more expensive, but it also offers more features and performance than the Blackmagic Pocket Cinema Camera 6K Pro. However, the price difference might not be significant if you factor in the cost of accessories, such as lenses, memory cards, batteries, and viewfinder.

2. Blackmagic Design Pocket Cinema Camera 4K

Blackmagic Design Pocket Cinema Camera 4K as a good alternative for Blackmagic Pocket Cinema Camera 6K Pro

Sensor: Full frame or APS-C

The Blackmagic Design Pocket Cinema Camera 4K has a 4/3 size sensor with 4096 x 2160 resolution, while the Blackmagic Pocket Cinema Camera 6K Pro has a Super 35 sensor with 6144 x 3456 resolution. The Super 35 sensor of the Blackmagic Pocket Cinema Camera 6K Pro gives you a higher resolution, a shallower depth of field, and a wider field of view than the 4/3 sensor of the Blackmagic Design Pocket Cinema Camera 4K. However, the 4/3 sensor of the Blackmagic Design Pocket Cinema Camera 4K also has some advantages, such as better low light performance, less noise, and more lens options.

Focus and Lens Mount

The Blackmagic Design Pocket Cinema Camera 4K has an active MFT mount that supports autofocus and lens control with compatible lenses. The Blackmagic Pocket Cinema Camera 6K Pro has an active EF mount that also supports autofocus and lens control with compatible lenses. Autofocus can be very useful for fast-moving subjects or when shooting solo. Both cameras also have face tracking and focus peaking features that can help you achieve accurate and reliable focus on your subjects.

Design: Dimension and Weight Comparison

The Blackmagic Design Pocket Cinema Camera 4K is smaller and lighter than the Blackmagic Pocket Cinema Camera 6K Pro. The Blackmagic Design Pocket Cinema Camera 4K measures 178.1 x 96 x 85.5 mm and weighs 721 g (body only). The Blackmagic Pocket Cinema Camera 6K Pro measures 180 x 101 x 96 mm and weighs 1.1 kg (body only). The Blackmagic Design Pocket Cinema Camera 4K also has a more ergonomic design, with a comfortable handgrip, a scroll wheel, and multiple customizable buttons. The Blackmagic Pocket Cinema Camera 6K Pro has a more boxy shape, with fewer buttons and no scroll wheel.

Monitor

The Blackmagic Design Pocket Cinema Camera 4K has a 5″ 1920 x 1080 tilting HDR LCD touchscreen with 1500 nits of brightness. The Blackmagic Pocket Cinema Camera 6K Pro also has a 5″ 1920 x 1080 tilting HDR LCD touchscreen, but with a higher brightness of 2500 nits. The tilting screen of both cameras allows you to adjust the viewing angle for different shooting situations, while the higher brightness of the Blackmagic Pocket Cinema Camera 6K Pro makes it easier to see in bright sunlight. The Blackmagic Pocket Cinema Camera 6K Pro also has an optional OLED viewfinder that can be attached to the camera for more precise framing and exposure control. The Blackmagic Design Pocket Cinema Camera 4K does not have a viewfinder option.

Battery

The Blackmagic Design Pocket Cinema Camera 4K uses an LP-E6 battery that can provide up to 60 minutes of continuous recording time. The Blackmagic Pocket Cinema Camera 6K Pro uses a NP-F570 battery that can provide up to 140 minutes of continuous recording time. The Blackmagic Pocket Cinema Camera 6K Pro also has a USB-C port that can be used to power the camera or charge the battery from an external source. The Blackmagic Design Pocket Cinema Camera 4K also has a USB-C port, but it can only be used for data transfer and external recording.

Video Capabilities & Audio Inputs

Both cameras can record 6K video up to 50 fps in Blackmagic RAW format, which offers high quality and flexibility in post-production. However, the Blackmagic Design Pocket Cinema Camera 4K can also record 4K video up to 60 fps and 1080p video up to 120 fps in ProRes format, which is a lower-bitrate inter-frame codec that compresses more information. The Blackmagic Pocket Cinema Camera 6K Pro can only record 4K video up to 60 fps and 1080p video up to 120 fps in Blackmagic RAW format. The Blackmagic Design Pocket Cinema Camera 4K also has a Gen 4 color science, which is designed to produce realistic and natural images, while the Blackmagic Pocket Cinema Camera 6K Pro has a Gen 5 color science, which is also designed to produce cinematic images, but it might require more grading to achieve the desired look.

Both cameras have dual mini-XLR inputs that can support phantom power and line level signals for professional audio recording. However, the Blackmagic Design Pocket Cinema Camera 4K also has a 3.5mm stereo input that can be used for timecode input, while the Blackmagic Pocket Cinema Camera 6K Pro does not have a timecode input option. Timecode input can be useful for synchronizing multiple cameras or audio devices in post-production.

Price (USD)

The Blackmagic Design Pocket Cinema Camera 4K costs $1,295, while the Blackmagic Pocket Cinema Camera 6K Pro costs $2,535. The Blackmagic Design Pocket Cinema Camera 4K is cheaper, but it also offers less resolution, a smaller sensor, and fewer features than the Blackmagic Pocket Cinema Camera 6K Pro.

3. Sony FX30

Sony FX30 as a good alternative for Blackmagic Pocket Cinema Camera 6K Pro

Sensor: Full frame or APS-C

The Sony FX30 has a 26MP full-frame CMOS Exmor R sensor, while the Blackmagic Pocket Cinema Camera 6K Pro has a 10.2MP Super 35 high resolution HDR sensor. The full-frame sensor of the Sony FX30 gives you a wider field of view, shallower depth of field, and better low-light performance than the APS-C sensor of the Blackmagic Pocket Cinema Camera 6K Pro. The Sony FX30 also has an optical low-pass filter (OLPF) to reduce moiré and aliasing, while the Blackmagic Pocket Cinema Camera 6K Pro does not.

Focus and Lens Mount

The Sony FX30 has an active EF mount that supports autofocus and lens control with compatible lenses. The Blackmagic Pocket Cinema Camera 6K Pro also has an active EF mount, but it does not support autofocus. Autofocus can be very useful for fast-moving subjects or when shooting solo. The Sony FX30 also has face tracking and eye AF features that can help you achieve accurate and reliable focus on your subjects.

Design: Dimension and Weight Comparison

The Sony FX30 is smaller and lighter than the Blackmagic Pocket Cinema Camera 6K Pro. The Sony FX30 measures 129.7 x 77.8 x 84.5 mm and weighs 715 g (body only). The Blackmagic Pocket Cinema Camera 6K Pro measures 180 x 101 x 96 mm and weighs 1.1 kg (body only). The Sony FX30 also has a more ergonomic design, with a comfortable handgrip, a scroll wheel, and multiple customizable buttons. The Blackmagic Pocket Cinema Camera 6K Pro has a more boxy shape, with fewer buttons and no scroll wheel.

Monitor

The Sony FX30 has a 5″ 1920 x 1080 tilting HDR LCD touchscreen with 1500 nits of brightness. The Blackmagic Pocket Cinema Camera 6K Pro also has a 5″ 1920 x 1080 tilting HDR LCD touchscreen, but with a higher brightness of 2500 nits. The tilting screen of both cameras allows you to adjust the viewing angle for different shooting situations, while the higher brightness of the Blackmagic Pocket Cinema Camera 6K Pro makes it easier to see in bright sunlight. 

Battery

The Sony FX30 uses an NP-F570 L-series battery that can provide up to 140 minutes of continuous recording time. The Blackmagic Pocket Cinema Camera 6K Pro uses a Canon LP-E6NH battery that can provide up to 60 minutes of continuous recording time. The Sony FX30 also has a USB-C port that can be used to power the camera or charge the battery from an external source. The Blackmagic Pocket Cinema Camera 6K Pro also has a USB-C port, but it can only be used for data transfer and external recording.

Video Capabilities & Audio Inputs

Both cameras can record 6K video up to 50 fps. However, the Sony FX30 can also record 4K video up to 120 fps and 1080p video up to 240 fps in XAVC S-I format, which is a high-bitrate intra-frame codec that preserves more details and colors. The Blackmagic Pocket Cinema Camera 6K Pro can only record 4K video up to 60 fps and 1080p video up to 120 fps in ProRes format, which is a lower-bitrate inter-frame codec that compresses more information. The Sony FX30 also has a cinematic color science with S-Cinetone, which is inspired by the VENICE colorimetry and delivers natural skin tones and rich colors. The Blackmagic Pocket Cinema Camera 6K Pro has a Gen 5 color science, which is also designed to produce cinematic images, but it might require more grading to achieve the desired look.

Both cameras have dual mini-XLR inputs that can support phantom power and line level signals for professional audio recording. However, the Sony FX30 also has a 3.5mm stereo input that can be used for timecode input, while the Blackmagic Pocket Cinema Camera 6K Pro does not have a timecode input option. Timecode input can be useful for synchronizing multiple cameras or audio devices in post-production.

Price (USD)

The Sony FX30 costs $3,899.99, while the Blackmagic Pocket Cinema Camera 6K Pro costs $2,535. The Sony FX30 is more expensive, but it also offers more features and performance than the Blackmagic Pocket Cinema Camera 6K Pro. 

Salik Waquas is a seasoned professional in the world of cinema, bringing over a decade of experience as a cinematographer and colorist. With an eye for capturing the perfect shot and a passion for enhancing the visual storytelling of films, he has made a significant mark in the industry. Aside from mastering the art of cinematography and color grading, Salik also enjoys sharing insights and knowledge through the written word. As a dedicated blogger in the film industry, His articles cover a wide range of film-related topics, offering readers a unique perspective and valuable insights into the world of cinema.